- ADOBE AFTER EFFECTS MAC CS5 UPGRADE
- ADOBE AFTER EFFECTS MAC CS5 FULL
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Also, don’t expect the same quality matte results that you would get from shooting your subject against a green screen.ĭepending on your footage, if you have a busy background or the lighting is uneven and dark, the Roto Brush tool has a hard time distinguishing between foreground and background.
ADOBE AFTER EFFECTS MAC CS5 FULL
A simple change on one frame may affect 10 to 15 frames after it, so it’s best to create short sections of about 15 frames instead of a full footage sequence from the beginning. The only downside is that the Roto Brush is looking at pixels in a sequence, instead of drawing vectors that can easily be edited along the timeline. It affects edge smoothness, feathering, chatter, and even motion blur–which is critical when matting people and objects when they’re moving. The new Refine Matte effect, which is also applied when you use the Roto Brush tool, can be used with any matte layer as a standalone effect. After working on the first few shots, I was continuing to perfect my process. I was able to use the Roto Brush tool on about 20 shots for a commercial in which I needed to do color grading on the background.
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You can make adjustments on each frame as needed, but mastering this workflow takes time and practice. When you first apply the Roto Brush tool to a footage sequence, it creates a keyframe point and then looks for edges and changes across several frames forward and backward from the point at which you apply it. The pink outline defines the matte edges on each frame. The green represents the foreground selection, while the red identifies the background selection. Then use the red brush to identify the background.Īfter Effects CS5’s new Roto Brush tool makes short work of usually complex roto-matting tasks. You start by selecting the foreground object with broad strokes of the green brush, and then reduce the brush size to pick up stray elements such as edge highlights, hair, ears, and so forth. At first glance, it appears similar in function to the old Photoshop Extract plug-in, but it works much differently, since it spans several frames of footage at a time.
![adobe after effects mac cs5 adobe after effects mac cs5](https://i.ebayimg.com/images/g/QNgAAOSwxKFh4gN7/s-l225.jpg)
The most publicized new feature in After Effects CS5 is the Roto Brush tool. With improved color management and the included plug-ins like Synthetic Aperture’s Color Finesse 3 and Apply Color LUT, it’s easy to add these native formats to your production directly from the source. After Effects CS5 can now read native AVC-Intra files from Panasonic’s P2 cards, and raw R3D (RED Cam) footage. AVC-Intra and RED compatibilityĪs the popularity of tapeless HD digital video workflows increases, so do the demands for post-production to accommodate these new formats with a minimal amount of pre-processing and data wrangling.
![adobe after effects mac cs5 adobe after effects mac cs5](https://i2.wp.com/www.alphr.com/wp-content/uploads/2014/11/it_photo_146347.jpg)
ADOBE AFTER EFFECTS MAC CS5 UPGRADE
And you will need to upgrade all of your third-party plug-ins to 64-bit versions, which will most assuredly cost you extra-and that’s assuming the plug-in manufacturer has a 64-bit version available.Īfter Effects is not backward compatible with older versions, so it’s a good idea to keep your copy of After Effects CS4 installed so you can work on your existing projects and access your 32-bit plug-ins.
![adobe after effects mac cs5 adobe after effects mac cs5](https://iadobeae.files.wordpress.com/2015/05/welcome-to-adobe-after-effects-adobe-after-effects-10-0-thursday-april-30-2015-at-11-15-15-am1.png)
One caveat: you must be running OS X 10.5.7 or higher for After Effects CS5 to install. This is huge news for post-production and motion graphics pros, especially if you have a loaded multi-core workstation. RAM usage is optimized to give you longer RAM Previews too.
ADOBE AFTER EFFECTS MAC CS5 PRO
My personal comparisons for RAM previews on similar projects, on the same MacBook Pro (a 2.6GHz Intel Core Duo with 4GB of RAM) gave me an average of about 35 percent faster RAM previews and project rendering time.